美国如果不是有点可惜，我们如何能达到这样的邪恶的味道？ -刘德华“护航使者”

FlashForward," (very) loosely based on the novel by Robert Sawyer, doesn't lack for ambition. Early in the pilot, the entire human race blacks out for two minutes. When everyone wakes up, they have to deal not only with the carnage such an event would be caused (plane and car crashes, for starters), but with two disturbing questions: Who or what could have caused this? And why did everyone who collapsed get a vision of themselves six months in the future? The pilot episode, directed by David S. Goyer (co-writer of the escort girl guangzhou Christian Bale Batman movies) from a script by Goyer and Brannon Braga, does a good job of depicting the chaos of the global power-nap and its immediate aftermath. For a few minutes, it feels like it could be the successor to "Lost" that so many people at ABC and in the media clearly want it to be.

Had it not been for Tanya's former co-worker Lenore, whom we met early on and who made a welcome return later in the season, Ray and Tanya might have drowned in a puddle of their own ennui. Lenore was a season saver, a smart, savvy businesswoman with dubious morals who was just what the show needed. Over the course of the series she became its only dynamic character, the lone voice consistently willing to call out the other characters on their b.s. In the last few episodes, she finally pointed out what most of us were already thinking: that Ray will need a real pimp and a real business model in order to turn Happiness Consultants into a success. In the series finale she finally joined Happiness Consultants for real, which is the best indication we have that next season might take these characters somewhere fresh and new.

wyll1009ypj There was so much opportunity for Hung to be more than it was. For HBO, it was practically tame -- rather than have fun with its sex scenes, they tended to be either painfully awkward (like Ray's encounter with Horny Patty) or unrealistically, over-the-top outrageous (like Ray's tete-a-tete with Lenore at the mall). Going in a consistent direction either way could have worked, but HBO wanted to have it both ways, so we were never sure if we should lose ourselves in the fantasy of the moment, or just cringe sympathetically at the awkwardness of it all. Overall, this was an underwhelming debut for a premium cable series -- yet HBO picked it up for renewal almost immediately, giving it a second shot that it might not have had otherwise. Here's hoping Jane, Jane, Payne & Co. will take advantage of that rare opportunity.

Conversely, a show might have the most potential-laden premise in the world and utterly fail to live up to that potential. You hear that Aaron Sorkin's doing another series set behind-the-scenes at a TV show, and you get excited; then you see that it's "Studio 60 on the Sunset Strip." All of which brings me to ABC's new "FlashForward" (tonight at 8, Ch. 7) and escort girl guangzhou the return of Fox's "Dollhouse" (tomorrow night at 9, Ch. 5). The former is a show with a cool idea that its creators don't yet know what to do with. The latter is a show that's overcome one of the dumber premises this side of "The Mullets" to become quite good.
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